Ep 52: 4 Inches Thick...of Concepts with Eric Meunier

“He is not just a super awesome guitar player. He was completely different than I expected in all of the best ways possible. I anticipated, you know, it's Slash. You just expect someone of his caliber to be aloof and standoffish and arrogant and none of those words could ever describe this man.”

“If you don't want, we've got licensors lined up around the block that now want us to make their games because of what we do. If you can't give us the assets that can make it comparable game, take a walk.”

“I really felt like we were on the floor of the New York Stock Exchange when we went live with that thing. because there were just like papers flying in the air, phone calls, people's personal cell phones are ringing.”

“It took Joe probably 80 man hours, two solid weeks of work, to make that three-and-a-half-minute song lights look the way they do. You know, that's eight hours a day for 10 days at his computer listening to the song two seconds at a time, three seconds at a time.”

“I personally make it with a laser cutter, with a shear, with a break, with a bend, welding. I put the harness on. I put the first game together 100% with my own two hands. And that is hundreds of hours.”

“You see the final product of thousands and thousands of man hours, but what you don't see is the final product of all of the other thousands of man hours that got cut or reiterated or redone in a different way.”

“if every pinball company is not paying attention to this is how you're supposed to do a release then they should because the the the earth has shifted and that's how you're supposed to do it”

“when that song started, he was actually moved to tears. And he's like, that's not me. That's not what I typically do when I'm playing a game. But that's part of that experience.”